Toronto native Andrew Rathbun is widely esteemed as one of the most creative and accomplished saxophonists, composers and bandleaders of his generation. On tenor and soprano saxophones he has achieved a rare depth of lyricism, authoritative swing and compositional intelligence. Voted as a “Rising Star” in the 2018 and 2022 Downbeat Critics Polls  and recording steadily as a leader since the late 1990s, he has documented his stirring original music with an array of extraordinary lineups, featuring the talents of such greats as Kenny Wheeler, Billy Hart, George Garzone, Phil Markowitz and Bill Stewart. “Rathbun’s lines dance and glide,” writes David Whiteis of JazzTimes, “reflecting both childlike wonder and well-honed artistry.”

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Rooted in the fiery improvisatory legacy of post-bop jazz, Rathbun’s music is also deeply informed by classical composition. His works include song cycles, suites, and chamber and orchestral pieces for a wide range of ensembles. His 2005 duo release with pianist George Colligan, Renderings, features adaptations of Maurice Ravel and Federico Mompou, as well as an original seven-movement “Suite for Soprano Saxophone and Piano” inspired by the great Wayne Shorter. On 2019’s Impressions of Debussy he partners with pianists Jeremy Siskind and Lori Sims to record interpretations of Debussy’s famed piano preludes. His 2010 release The Idea of North, inspired by the radio documentaries of Glenn Gould, includes a sextet arrangement of Christoph Glück’s “Minuet and Dance of the Blessed Spirits.” Rathbun has also written for the Danish Radio Jazz Orchestra, the Brussels Jazz Orchestra, and the Metropole Orkest and other ensembles, in addition to working as a commercial music composer.

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Another of Rathbun’s inspirations is poetry: his 1998 recording Jade set to music the verse of Cathy Song, while his 2000 follow-up True Stories focused on the work of fellow Canadian Margaret Atwood. On both these recordings, acclaimed Brazilian vocalist Luciana Souza captured the imagery and deep emotion of the poems while meeting every technical challenge posed by Rathbun’s involved orchestrations. Trumpeter Taylor Haskins played a major role on these early releases, not to mention Rathbun’s debut, Scatter Some Stones; he would later appear on Affairs of State, The Idea of North and two tracks from Numbers & Letters, Rathbun’s exploratory 2014 quartet session.

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Rathbun’s 2002 release Sculptures (co-produced by Haskins) found him leading a quintet with trumpet legend and Toronto native Kenny Wheeler. JazzTimes declared of Sculptures: “[The music] cloaks subtle avant-garde proclivities in soft light and open air.” After the album release, Rathbun collaborated with Wheeler in a live large-ensemble setting at Birdland in New York, performing classic Wheeler compositions as well as new Rathbun works including the “Power Politics Suite.” After Wheeler’s death in 2014 at age 84, Rathbun led his own large ensemble at the Jazz Gallery for a performance in the trumpeter’s honor.

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The “Power Politics Suite” is but one example of Rathbun’s interest in social and political change, a theme running throughout his 2007 quintet session Affairs of State, released as the Bush years were coming to a close. Where We Are Now (2009), Rathbun’s quintet session with Billy Hart on drums, had a more implied political thrust, as Taylor Haskins wrote in his liner notes (the release date came just weeks before the inauguration of Barack Obama), Shadow Forms, from 2006, was more open-ended in its meanings, sparser in instrumentation — Rathbun played tenor, soprano, clarinet and even keyboard in a bracingly open trio setting, with mentor George Garzone adding raw and brilliant tenor sax on five of the 12 tracks. Kenny Wheeler’s “Onmo” closed the album in rousing form.

Fellow saxophonist and Torontonian Pat LaBarbera produced Days Before and After (2004), Rathbun’s co-led session with drummer and Edmonton native Owen Howard. The “outstanding set” (allaboutjazz.com) featured original music driven by the unorthodox two-guitar team of Ben Monder and Geoff Young.

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His double-CD opus Atwood Suites, is  a collection of poems by famed author Margaret Atwood set for vocalist and jazz orchestra on Origin Records. Jazziz Magazine has this to say about the release; “On the basis of this CD alone, Rathbun deserves to be ranked among today’s top arranger – composers.”


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 2021’s Semantics is a two-tenor date with Rich Perry, alongside Gary Versace, John Hébert and Billy Drummond, and has over 600,000 streams on Spotify. His latest release is The Speed of Time with Versace and Hebert and drum Tom Rainey.

Rathbun earned a Masters in Performance from Boston’s New England Conservatory, where he studied with George Garzone, Jimmy Giuffre and George Russell. After moving to Brooklyn in 1997 he became a fixture on the New York jazz scene, helping to shape the sound of the music in the new millennium as he earned a Doctorate in Jazz Arts from Manhattan School of Music. He has secured recognition and support from the Ontario Council for the Arts, the Canada Council and the American Music Center. He has also served as a fellow at the Aspen Music Festival and an artist at both the MacDowell Colony and the Banff Center for the Arts.

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Following teaching stints at the University of Maine, Kingsborough College and the Amadeus Conservatory in northern Westchester County, New York, Rathbun took a position in 2012 as Professor of Saxophone and Jazz Studies at Western Michigan University in Kalamazoo, where he now lives with his family. He continues to perform in New York and internationally.