Jazz/Improvising Strings
While string players have made valuable contributions to the evolution of jazz music in every era, there have been few university level programs that have addressed the needs of violinists, violists, and cellists interested in studying jazz and improvisation. Fortunately, this is changing. The Jazz Program at the University of Toronto is now offering a string improvisation stream in performance (BMus, MMus, DMA).
Jazz Faculty cellist Matt Brubeck observes “Anyone with a serious commitment to improvising on an “orchestral” string instrument would be well-served by a solid grounding in the fundamentals of jazz forms, theory, and improvising vocabulary. However, the art form cannot progress if it is solely based on what is idiomatically possible on the traditional jazz instruments. Historically, jazz has been reinvigorated by the involvement of musicians bringing new instruments with different modes of expression. I believe that improvising string players are uniquely positioned to be in the forefront of the sort of creative expression that keeps jazz vital and evolving.”
Both Brubeck (mattbrubeck.com) and violinist Parmela Attariwala (parmela.com) are classically trained musicians who lead inspiring careers in improvisation. They are both experienced educators who combine the technical pedagogy of conservatory training with a teaching philosophy that embraces the diversity of musical experience and interests of their students. Private instruction will focus on the traditional basics as well as creative expression. String improvisers in any genre need to have a thorough knowledge of the “geography” of the fingerboard, and fluidity with a variety of scales and arpeggios in all 12 keys is a crucial foundation. Additionally, a focus on tone production, intonation, fingering and bowing patterns will help you further develop a solid technical proficiency on your instrument. You will also be encouraged to explore and nurture your own musical identity. In addition to learning jazz standards and performing in the ensemble setting, you will have the opportunity to arrange music from other traditions that interest you, as well as write your own compositions. Whether coming from a background in jazz, classical, fiddling, or any of the other myriad global music traditions, all string students are welcome to audition for a spot in this exciting new program.